
微光古樂集歷年經歷
The Gleam Ensemble – Past Activities (Asia/Europe)
2019
2019年4月起,總監大下詩央於國立清華大學指導清華大學巴洛克樂團與古樂理論課程,並於2020年6月與清華大學巴洛克樂團演出直播古樂音樂會。
Since April 2019, Artistic Director Shio Ohshita has taught Baroque ensemble and early-music theory at National Tsing Hua University, and in June 2020 presented a live-streamed early-music concert with the Tsing Hua Baroque Ensemble.
2019年9月於苗栗天主堂演出《台灣老教堂》古樂音樂會。
In September 2019, the ensemble performed the early-music program “Taiwan Old Churches” at Miaoli Catholic Church.
2019年11月於國立台灣大學藝文中心雅頌坊演出《雙倍濃縮!義大利巴洛克二重奏》音樂會。
In November 2019, the ensemble presented “Double Espresso! Italian Baroque Duos” at NTU’s Ya-Song Hall.
2020
2020年2月與7月於中國文化大學舉辦《微光古樂器工坊系列-維奧爾琴工作坊》。
In February and July 2020, the ensemble held the Gleam Early-Music Workshop series on the viola da gamba at Chinese Culture University
2020年11月於台大雅頌坊演出17世紀文藝復興晚期古樂作品《蛻變-大航海時期的古樂》。
In November 2020, the ensemble performed “Metamorphosis: Early Music of the Age of Exploration” at NTU’s Ya-Song Hall.
2020年與魏德聖導演及果子電影合作,為《台灣三部曲》錄製17世紀荷西時期的荷蘭古樂。
In 2020, the ensemble collaborated with director Wei Te-Sheng and ARS Film for the trilogy Taiwan 400 Years, recording seventeenth-century Dutch and Spanish colonial music.
2021
2021年10月受邀於臺南國際音樂節,於臺南美術館演出兩場《巴洛克盛宴:燭光巴洛克》。
In October 2021, the ensemble was invited to the Tainan International Music Festival, giving two candlelight Baroque concerts at the Tainan Art Museum.
2021年10月受邀於屏東古蹟音樂節於小陽日栽書屋演出《與西班牙共舞》戶外文藝復興音樂會。
Also in October 2021, the ensemble performed the outdoor Renaissance program “Dancing with Spain” at Sun-Day Bookhouse for the Pingtung Historic Sites Music Festival.
2021年11月受邀於新北市五股守讓堂,與詩人焦桐合作演出《詩韻款款.文藝復興》。
In November 2021, the ensemble collaborated with poet Chiao Tung for “Renaissance in Verse” at the historic Shou-Rang Church in New Taipei.
2022
2022年1月於文化大學舉辦「微光古樂器工作坊—維奧爾琴、巴洛克提琴、巴洛克木笛」。
In January 2022, the ensemble held workshops on viola da gamba, Baroque violin, and Baroque recorder at Chinese Culture University.
2022年1月與翡冷翠文創合作,製作沈浸式特展《會動的文藝復興》展間音樂。
In January 2022, the ensemble created original Renaissance-inspired music for the immersive exhibition “The Moving Renaissance.”
2022年1月受邀演出「彭斯之夜:《大稻埕 Antique Bar 1900 與蘇格蘭古樂》」。
Also in January 2022, the ensemble performed “Burns Night: Antique Bar 1900 & Scottish Early Music” in Taipei’s Dadaocheng.
2022年3月受邀於古諜工作室演出《午後·春分》古樂饗宴。
In March 2022, the ensemble performed “Afternoon • Vernal Equinox” at Ancient-Disc Studio.
2022年3月響應世界古樂日於中原大學演出《世紀帝國古樂之響》。
In March 2022, the ensemble celebrated Early Music Day with “Echoes of Empire” at Chung Yuan Christian University.
2022年4月受邀至台南夢想田音樂館演出中世紀與文藝復興古樂。
In April 2022, the ensemble performed medieval and Renaissance programs at Tainan Dream Field Music Hall.
2022年4月與臺大藝文中心合作舉辦三場《世紀帝國古樂之響》文藝復興音樂會。
Also in April 2022, the ensemble presented three Renaissance concerts in collaboration with NTU Arts Center.
2022年4月受邀於國立臺南藝術大學 EMI 研討會演講〈探尋巴赫無伴奏小提琴組曲的原始聲響〉。
In April 2022, Artistic Director Shio Ohshita lectured on historical performance of Bach’s solo violin works at Tainan National University of the Arts.
2022年8月於文化大學舉辦「微光古樂器工作坊—維奧爾琴、巴洛克提琴、巴洛克木笛」。
In August 2022, the ensemble held another session of its historical-instrument workshops at Chinese Culture University.
2022年9月與 Orgelkids Taiwan 合作舉辦《十七世紀的曙光》音樂會。
In September 2022, the ensemble co-presented “Dawn of the Seventeenth Century” with Orgelkids Taiwan.
2022年9月受邀於臺南國際音樂節演出《追尋.追循》燭光音樂會。
Also in September 2022, the ensemble performed “Chasing • Tracing” at the Tainan Art Museum.
2022年10月於中山堂光復廳演出法國巴洛克清唱劇《洛可可的四季風華》。
In October 2022, the ensemble staged the French Baroque chamber opera “The Seasons of the Rococo” at Zhongshan Hall.
2023
2023年1月受邀於古鍵盤藝術演出《明與暗的微光》與 Pieter-Jan Belder 合作。
In January 2023, the ensemble performed “Light and Shadow” with keyboardist Pieter-Jan Belder.
2023年2月與幕聲合唱團合作台北、台中巡演《巴洛克的晚霞》。
In February 2023, the ensemble toured Taipei and Taichung with Muxing Choir in “Baroque Twilight.”
2023年3月於衛武營表演廳與女高音黃莉錦演出法國巴洛克清唱劇。
In March 2023, the ensemble performed French Baroque repertoire with soprano Lily Huang at Weiwuying.
2023年4月於台大藝文中心主辦兩場《文藝復興宮廷舞宴》並舉辦工作坊。
In April 2023, the ensemble co-presented Renaissance court-dance concerts and workshops at NTU.
2023年4月受邀於輔仁大學舉辦文藝復興宮廷舞宴音樂會與講座。
Also in April 2023, the ensemble presented Renaissance dance and music at Fu Jen Catholic University.
2023年5月於林建生紀念圖書館舉辦《塔城守望者》文藝復興大聲樂團音樂會。
In May 2023, the ensemble performed “Watchers of the Citadel” Renaissance wind-band music.
2023年5月於中原大學演出《明與暗的微光:威尼斯1600》。
Also in May 2023, the ensemble performed “Light and Shadow: Venice 1600” at Chung Yuan University.
2023年6月於國家演奏廳舉辦《巴赫小提琴&大鍵琴奏鳴曲系列 I》。
In June 2023, the ensemble launched its Bach Violin & Harpsichord Sonata cycle at the National Recital Hall.
2023年8月受邀於國立故宮博物院演出《相遇故宮七夕古樂音樂會》。
In August 2023, the ensemble performed a Qixi Early-Music Concert at the National Palace Museum.
2023年9月受邀參與韓國春川國際古樂節並於首爾藝術中心演出。
In September 2023, the ensemble performed at the Chuncheon International Early Music Festival and Seoul Arts Center, forming the Asian Early Music Alliance with Korean and Singaporean ensembles.
2023年10月於國家演奏廳與 Sigiswald Kuijken 演出《古樂復興的微光》。
In October 2023, the ensemble performed with Sigiswald Kuijken at the National Recital Hall and Weiwuying.
2023年12月受邀於德國巴特克羅青根古樂節演出。
In December 2023, the ensemble performed at the Bad Krozingen Castle Concerts in Germany.
2024
2024年2月受邀於台北故宮演出《海上微光》古樂新春音樂會。
In February 2024, the ensemble presented the New Year Early-Music Concert “Gleam on the Sea” at the National Palace Museum.
2024年5月與 Fabio Bonizzoni、寺神戶亮合作《烈焰輝煌韓德爾》。
In May 2024, the ensemble collaborated with Fabio Bonizzoni and Ryo Terakado for “Furioso Handel” at Taipei National Concert Hall and Weiwuying.
2024年5月舉辦《傳承・日耳曼巴洛克》二重奏音樂會。
Also in May 2024, the ensemble presented “German Baroque Legacy” with Bonizzoni and Terakado.
2024年6月與 Orgelkids Taiwan 協辦《艷陽義大利.羅倫佐.吉耶米》屏東管風琴獨奏會。
In June 2024, the ensemble co-presented Lorenzo Ghielmi’s organ recital in Pingtung.
2024年8月於 Muzikids 兒童音樂節演出《海盜大富翁》兒童音樂劇。
In August 2024, the ensemble performed the children’s musical “Pirate Monopoly” at Muzikids Festival.
2024年8月參與比利時 Stavelot 國際室內樂音樂節(與 InAlto)。
Also in August 2024, the ensemble performed at the Stavelot International Chamber Music Festival with Ensemble InAlto.
2024年9月參與公共電視台文化部 Taiwan Plus 國際影音平台錄製。
In September 2024, the ensemble recorded for Taiwan Plus, the Ministry of Culture’s international media platform.
2024年9月與台北室內合唱團合作《璀璨巴赫》。
Also in September 2024, the ensemble collaborated with Taipei Chamber Choir for “Glorious Bach.”
2024年10月受邀於古鍵盤藝術古樂節演出《熱蘭遮之淚》。
In October 2024, the ensemble performed “Tears of Zeelandia” for the Early Keyboard Festival.
2024年10月與義大利韓德爾協會合作於米蘭演出《賽墨勒》。
Also in October 2024, the ensemble performed Handel’s Semele in Milan with the Italian Handel Society.
2024年10月受 Musica Antica Seoul 邀請參與南韓神聖古樂節。
In October 2024, the ensemble performed two sacred-music programs in South Korea.
2024年10月於中原大學演出《樂曲悠揚-深秋巴赫禮讚》。
Also in October 2024, the ensemble presented “Autumn Bach Tribute” at Chung Yuan University.
2024年12月於李春生紀念教會舉辦《聖誕燭光音樂會》。
In December 2024, the ensemble presented its Christmas Candlelight Concert at the Lee Chun-Sheng Memorial Church.
2025
2025年2月於第50屆菲律賓國際竹製管風琴音樂節演出蒙特威爾第《聖母晚禱》與許茲《盛宴之夜》。
In February 2025, the ensemble and Ensemble InAlto performed Monteverdi’s Vespers and Schütz’s Gala Night at the 50th International Bamboo Organ Festival.
2025年3月《天堂之響》與 Lambert Colson、Alice Foccroulle、Bernard Foccroulle 等演出。
In March 2025, the ensemble performed “Sounds of Heaven” with Lambert Colson, Alice Foccroulle, and Bernard Foccroulle.
2025年3月15日於瑞士阿勞城市教堂演出《減值變奏之巔》。
On 15 March 2025, the ensemble presented “The Summit of Diminutions” at Aarau City Church, Switzerland.
2025年3月22日於五股守讓堂參與《2025 新北詩歌節》。
On 22 March 2025, the ensemble performed at the New Taipei Poetry Festival at Shou-Rang Church.
2025年4月11日於中研院演出《大航海時代的古樂》。
On 11 April 2025, the ensemble presented “Music of the Age of Exploration” at Academia Sinica.
2025年7月於 Muzikids 兒童古典音樂節演出《小小淑女紳士養成記》。
In July 2025, the ensemble performed “Little Ladies & Gentlemen” at the Muzikids Classical Music Festival.
2025年6月於首爾瑞草文化藝術中心演出《文藝復興舞蹈之藝術》。
In June 2025, the ensemble presented “The Art of Renaissance Dance” in Seoul’s Seocho Arts Center.
2025年9月再度於瑞士阿勞城市教堂演出《減值變奏之巔 II》。
In September 2025, the ensemble returned to Aarau City Church for “The Summit of Diminutions II.”
2025年9月受邀參與第 17 屆瑞士莫爾日國際管風琴音樂節。
Also in September 2025, the ensemble performed at the 17th Festival International d’Orgue de Morges, Switzerland.
2025年10月22或23日於國立中正大學演出《文藝復興宮廷絕響:來自大航海》。
In October 2025, the ensemble will present “Renaissance Courtly Splendor: Echoes of the Age of Exploration” at National Chung Cheng University.
2025年12月於中原大學與南港生技園區演出《中原璀璨70〈Gloria〉榮耀頌》。
In December 2025, the ensemble will perform “Gloria — Brilliant 70 Years of CYCU” at Chung Yuan University and Nangang Biotech Park.
2026
2026年3月至6月主辦首屆「微光國際古樂節《西班牙400年》」,以1626年西班牙抵達福爾摩沙四百週年為主題,策劃超過二十場音樂會、講座、工作坊與教育推廣活動。
From March to June 2026, the ensemble organised the inaugural Gleam International Early Music Festival – Formosa Spaniolă: Spain 400, commemorating the 400th anniversary of the Spanish arrival in Formosa through more than twenty concerts, lectures, workshops, and educational events.
2026年3月14日舉辦《東西雙簧之鏡:文藝復興蕭姆管與嗩吶的跨時空對話》 黃雅農與蔣皓任講座
On 14 March 2026, the ensemble presented the lecture Mirror of Two Double Reeds: A Dialogue Between the Renaissance Dulcian and the Chinese Suona.
2026年3月15日舉辦《聲.日常:1626福爾摩沙》 黃雅農南北管嗩吶音樂會。
On 15 March 2026, the ensemble presented the lecture Sounds of Daily Life: Formosa 1626.
2026年3月7日 《追本・木弦之源:烏德琴的起源及其在當代音樂世界中的地位》Alban Couëffé 講座。
On 7 March 2026, the ensemble presented the lecture Back to the Roots: The Origins of the Oud and Its Place in Today’s Musical World, presented by Alban Couëffé
2026年3月《明末清初的絲弦琵琶》|蘇筠涵講座
In March 2026, the ensemble presented the lecture The Silk-String Pipa in Late Ming and Early Qing China, presented by Su Yun-Han.
2026年3月18日於國家音樂廳邀請西班牙大使古樂團- Capella de Ministrers 演出 《La Spagna》。
On 18 March 2026, the ensemble performed La Spagna with Capella de Ministrers at the National Concert Hall, Taipei.
2026年3月21日於國家音樂廳與西班牙大使古樂團- Capella de Ministrers 演出 《1400.大航海序章Quattrocento》。
On 21 March 2026, the ensemble presented Quattrocento with Capella de Ministrers at the National Concert Hall, Taipei.
2026年4月11日舉辦 《帝國與畫布:西班牙黃金時代的藝術與璀璨》鄭治桂講座。
On 11 April 2026, the ensemble presented the lecture Empire and Canvas: Art and Splendour of the Spanish Golden Age.
2026年4月25日至28日舉辦《1500西班牙文藝復興複音音樂》 Ozan Karagoz合唱工作坊。
From 25 to 28 April 2026, the ensemble organised a workshop on Spanish Renaissance polyphonic music.
2026年4月25日至28日舉辦《1450–1600西班牙文藝復興宮廷舞宴》 Ozan Karagoz歷史舞蹈工作坊。
From 25 to 28 April 2026, the ensemble organised a historical dance workshop on Spanish Renaissance court dances (1450–1600).
2026年5月11日於臺北市南門國小舉辦《古樂是什麼?》教育推廣講座。
On 11 May 2026, the ensemble presented the educational programme What Is Early Music? at Taipei Nanmen Elementary School.
2026年5月21日受邀於歐洲音樂院協會(AEC)國際論壇發表 《Beyond Europe: Early Music Dissemination and Education in Asia and the Pacific》。
On 21 May 2026, the ensemble was invited to present Beyond Europe: Early Music Dissemination and Education in Asia and the Pacific at the AEC International Forum.
2026年5月24日舉辦 《大航海時代香料與味蕾》食色天然香料研究所講座。
On 24 May 2026, the ensemble presented the lecture Spices and Taste in the Age of Exploration.
2026年5月29日舉辦《香料航道的彼岸迴響:墨西哥阿卡普爾科與拉丁美洲的古樂》 Mélodie Michel 講座。
On 29 May 2026, the ensemble presented the lecture Echoes Beyond the Spice Route: Acapulco and Early Music in Latin America.
2026年5月30日與韓國 Musica ex Machina 及法國低音管演奏家 Mélodie Michel 演出《海上絲路的新世界:墨西哥「新西班牙」的古樂》。
On 30 May 2026, the ensemble collaborated with Musica ex Machina (Korea) and French dulcian player Mélodie Michel in The New World of the Maritime Silk Road: Early Music from New Spain.
2026年5月31日舉辦《伊比利的甜美龍吟》 Mélodie Michel 與蔣皓任文藝復興低音管工作坊。
On 31 May 2026, the ensemble organised the Renaissance dulcian workshop The Sweet Dragon Voice of Iberia.
2026年6月7日舉辦《帝國的複音之聲:從法蘭德斯到伊比利的古樂》劉岠渭講座。
On 7 June 2026, the ensemble presented the lecture Polyphony and Power: From Flanders to Iberia.
2026年6月14日舉辦《1626.西班牙管風琴瑰寶》西班牙管風琴家- Jorge Marcias 示範講座。
On 14 June 2026, the ensemble presented the demonstration lecture 1626: Treasures of the Spanish Organ.
2026年6月14日舉辦《從馬尼拉到基隆》比利時無盡古樂團Ensemble InAlto- Lambert Colson 講座。
Also on 14 June 2026, the ensemble presented the lecture From Manila to Keelung.
2026年6月19日於國家音樂廳與比利時無盡古樂團Ensemble InAlto 演出音樂節閉幕音樂會《1626:惡魔岬的餘燼》。
On 19 June 2026, the ensemble and Belgium’s Ensemble InAlto presented the festival’s closing concert, 1626: The Embers of Punta del Diablo, at the National Concert Hall, Taipei.
2026年6月受邀於韓國首爾藝術殿堂演出《神聖與世俗》。
In June 2026, the ensemble was invited by Concerto Antico at the Seoul Arts Center, South Korea.
2026年7月受邀參與第15屆西班牙莫雷利亞國際古樂節。
In July 2026, the ensemble was invited to perform at the 15th Early Music Morella Festival, Spain.
2026年7月受邀參與第31屆佩尼伊斯科拉國際古樂暨巴洛克音樂節。
Also in July 2026, the ensemble performed at the 31st Peñíscola International Festival of Early and Baroque Music, Spain.
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